Alfred Hitchcock’s 1934 version of The Man Who Knew Too Much, which he remade with superior results in 1956, is a solid, suspenseful thriller.
Art and force do not mix, just as force does not mix with any kind of thought.
A bit about my recent illustrations of scenes from The Fountainhead.
History teacher Alexander Marriott examines facts and fiction about slave rebel Nat Turner in this exclusive interview by Scott Holleran about Nate Parker’s 2016 film, The Birth of a Nation.
It is important to choose work that you enjoy.